The Living Coast Residency
Looking for "shimmer," natural phenomena that catch our eye and hold our attention, a shorthand for the intangible ways biodiverse environments act on physical and mental health.
Work was published as an Instagram take-over for Fabrica Gallery and
exhibited on ONCA Barge as a short film, sound essay, interactive videowork, and as a ‘walkerscope’ interactive using a Kinect sensor.
Thanks
to Polly Eason of Coldean Community Organisation, Helen Forester of Benfield Valley Project, and Kim Greaves from Friends of Waterhall.
*Deborah Bird Rose, 'Shimmer,' Edinburgh University Press 2022
Commissioned by Fabrica, ONCA and The Living Coast UNESCO Biosphere
Coldean
Interactive video artwork
co-designed with Neil Manuell
Sound and pace respond to swipe speed.
“I really like how you’re sort of engaging with the movement of what’s going on but you can just sort of let go as well and watch it and how you move it still affects what is happening and how.”
Use a TOUCHSCREEN
Sound up
Created through conversations with people who live nearby.
///eager.wonderfully.daily
trees all the way to the sea.grasses headbanging at a concert.strawberry moon rising Helen Forester of Benfield Valley Project tells me that putting across the value of this easily accessible wild space in terms of its health giving qualities carries no weight with decision makers during community consultations, despite its proven levelling effect on income based health disparity. |
///latest.earth.wisely raw.nature.being.awesome "It's your own small landscape that you can actually enact change on. I think microcosm is the right word to describe the shimmer and that touches an emotional place that not many things do." Lawrence Leather, climate activist and chalk grassland restorer |
///drums.bliss.shadow anthill.Rockrose.Cistus Forester.grassland seedbank Do biodiverse landscapes give of more of a shimmer? Could the shimmer index of a site be a shorthand for its health-giving properties? "You never feel alone out here." Kim Greaves, Friends of Waterhall |
Making Ground
Residency exploring hand-cranked and digital interactives
Documenting a collaboration on community owned land
After filming choreographies of making in place and I created new physical and digital ways of triggering the persistance-of-vision illusion that makes a sequences of images into moving-image:
tugged mutoscopes on loops of cloth, a cranked triptych of mutoscopes in a found brick mould, and digital interactives co-designed with Neil Manuell: swiping a touch screen or walking towards a projection.
Exhibited at Make Lewes Festival and as part of a Making Space Residency at Fabrica.